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This column is for self-study or classroom use and gives guided help with reading the wide variety of writing styles and topics that appear as feature articles in the Bangkok Post. The lessons include background information, skill-building practice and vocabulary explanations.
February 11, 2003

Where did this star come from?

INTRODUCTION
This week and next here in feature focus, we are going to look at two different types of articles about the recent Thai movie Ong-Bak. This week, the story is a personality profile. The aim of a profile is to focus on a person who is well known. In this case, the focus is on action star, Phanom Yeeram.

Next week we will look at a movie review – another type of article with a different purpose, different content and a different style.

Keeping in mind the purpose of a profile, what kind of information would you expect to find in today’s story. Below are some suggestions. Check the ones you think will be in the article.

  1. .... the other movies, plays or performances the person has done in the past
  2. .... how the star’s career got started
  3. .... some quotes from the star
  4. .... the writer’s opinion about the star’s performance in the movie
  5. .... the plot of the movie
  6. .... the star’s thoughts about his role in the movie
  7. .... the educational background and training of the star
  8. .... the star’s family background
  9. .... details of the plot of the movie and who the other actors are
  10. .... information about how the movie was made and financed
  11. .... where and when the movie is playing (theatres where you can see it)
  12. .... characteristics of the star’s personality

As you read the article, see which types of information are included. Next week we’ll look at what kind of information is included in a review.

Movie talk

One of the fun aspects of articles about movies is learning words you can use to talk about them. Here are some of those words from the story. As you read, use the context to help you match them with their meanings.

Words

flicks ....
B-movie ....
doubling ....
stunt ....
trailer ....
repertoire ....
classics ....
choreography ....
a shoot ....
screening ....

Meanings

  1. accepted as one of the best or most important of its kind
  2. one showing of a movie
  3. a dangerous and difficult action done to entertain people, especially as part of a movie
  4. replacing an actor with another in a movie to do dangerous or other special things
  5. the time and place when a movie is filmed
  6. an informal word for movies
  7. the art of designing and arranging the steps in a dance or series of movements
  8. not an example of the best quality
  9. a series of short scenes from a movie, shown in advance to advertise it
  10. all the things that a person can do or are possible within an art form

Focusing in

Here are two sentences from the story that provide a way of summarising some of the main ideas of the story.

  1. "No more long shots and stand-in work now, though; Phanom has moved to centre-stage."
  2. What are some examples of Phanom’s previous roles — his long shots (with the actor in the distance) and stand-in (substitute) work? Is the writer talking about a real stage like the one at a concert or live play? What does "moved to centre-stage" mean in the story?

  3. When he talks about the film Ong-Bak, Phanom says, "I’m so happy to have got the chance to present ancient Thai boxing on film, in a way that’s true to the old forms."

What is the ‘ancient Thai boxing’? What does Phanom mean by the way it is presented in Ong-Bak?

OUR STORY FROM THE BANGKOK POST

Leap into the limelight

Action star Phanom Yeeram’s fabulous moves are the highlights of new movie `Ong-Bak’

Story by NILUBOL PORNPITAGPAN
Photo by SOMKID CHAIJITVANIT

Most movie stars impress fans through their charm and beauty, but with new local action star Phanom Yeeram, the attraction is all in the fists, elbows and feet.

The self-trained Phanom performs elaborate stunts and ballet-like boxing in his debut film, Ong-Bak, which opens on Friday.

Movie-goers will see Phanom performing the full repertoire of Thai boxing — as well as jumping across a boiling vat, stepping over rows of men’s shoulders, running in the air, and performing somersaults and back-flips to aim deadly blows at his "enemies’’.

This is the guy whose stunt work made Robin Shou look so cool in Mortal Kombat 2, and who boosted Ruengsak "James"Loyshusak’s tough-guy persona in local action flick Gang Gratack Guan.

Ever seen that TV advert featuring Samo Hung and an energy drink? That was Phanom, doubling for the Hong Kong actor, who grasped the elephant’s tusks and then somersaulted over its back.

No more long shots and stand-in work now, though; Phanom has moved to centre-stage.

The sneak preview of Ong-Bak last month garnered warm reviews.

"I’d like to say, from the heart of a rural boy, that I’m so happy to have got the chance to present ancient Thai boxing on film, in a way that’s true to the old forms,"said the 27-year-old star with a smile.

"I’m so glad that people called after the preview and said the movie was fun and that they loved the action,"he added.

A native of Surin, Phanom was inspired by Jackie Chan’s action movies and was imitating kung fu fighting by the age of 10. It was then that he started dreaming of starring in action films, like his idol.

After completing secondary school, he became an apprentice of Khon Kaen-based Panna Ritthikrai, producer/director/star of many B-movie action flicks. Panna took him in but he also persuaded his young student to go back to formal education.

Phanom went back to his studies but in his spare time he learned about the martial arts from Panna’s stuntmen and started working odd jobs for the lighting crew and cameramen.

Encouraged by his mentor, Phanom went on to study at Maha Sarakham Physical Education College, where he got more solid grounding in marital arts. Soon he became a star athlete, winning golds in krabi krabong (an indigenous martial art involving the use of swords and long wooden staffs) and excelling in running, gymnastics, the high jump and long jump. He also picked up the basics of judo, joined an off-campus krabi krabong club, learned new stunt routines and started staging shows at his college and other schools in the area.

When he graduated from the college two years later, Panna encouraged Phanom to follow his ambition to seek a part in a big movie, where he’d be able to show off stunts the young man had created himself.

Stunt work from Hollywood movies came in but the action content was rather less than Phanom and Panna had in mind. The two became interested in muay boran, an ancient form of Thai kick boxing, and sought out experts to learn more about the art. They studied it for six years with the idea of including it in a movie one day.

"We wanted to present muay boran in a way that’s true to the original style. This is one of our national treasures but it’s never before been featured in a Thai movie with a Thai actor playing the lead,"said Phanom.

To realise their dream, the two sought funding for a trailer, showing off the best stunts they could come up with to big-name producers in Bangkok.

Unfortunately, their first attempt failed as the film stock they’d bought turned out to be out of date. New funding had to be found and the whole thing done again.

The trailer impressed Prachya Pinkaew of Baa Ramm Ewe, a production house under the aegis of Saha Mongkol Film. And the rest is history.

Ong-Bak is the story of a small village which suffers the theft of the head of its respected Buddha image. Phanom must try to get it back, using his martial art skills and survival instincts.

Phanom choreographed all the stunts in consultation with Panna, who, naturally enough, was stunt coordinator for the project. "We taped sequences on video first,"Phanom explained, "so that we’d be able to pick up on any faults and correct them before we started the actual shoot.’’

After watching his finished film with much satisfaction, Phanom took another look at his collection of classic Bruce Lee and Jackie Chan movies, to compare the martial arts.

"I think we have more elaborate fight scenes than those movies. Thai boxing is unique. It has a very graceful repertoire. We’ve tried to make the moves clear to the audience,"said Phanom.

The pace of his life has changed with the new movie — these days he is busy with interviews and various screenings.

Foreign agencies have also started making contact. Ong-Mak will be screened in Japan, Hong Kong and Hungary for a start, and is sure to go further.

Phanom doesn’t yet know what his next project will be. For now, he’s focusing on staging a special charity screening of Ong-Bak at a theatre in Maha Sarakham. He wants to raise funds to support the students club at Maha Sarakham Physical Education College from which he graduated.

"I’m happy that I can give something back to my old school,"said the new movie star.

SOME VOCABULARY HELP




limelight
the centre of public attention

charm
the power to please or attract people

elaborate
complicated and detailed; carefully organized

vat
a large container for holding liquids

somersault
a movement in which a person turns over completely, with his feet curled over his head

persona
the aspects of character that are presented

garner
to gather; to get; to acquire

warm
positive; showing approval

apprentice
a young person who works for an employer in order to learn the skills needed in a job

mentor
an experienced person who advises and helps someone less experienced

grounding
the learned basics of a subject

indigenous
belonging to a particular place rather than coming from somewhere else

under the aegis of
supported by

instincts
natural tendencies to behave in a particular way using the knowledge and abilities you were born with

charity
of an event in which performers do not charge so that the money raised can be given to an needy organisation


Answers: f,h,d,c,i,j,a,g,e,b

This lesson was prepared by Maureen Paetkau, a professional teacher of English as a second and foreign language and Assistant Manager and Webmaster for Learning Post at the Bangkok Post.

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Last modified: February 10, 2003