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This column is for self
study or classroom use and gives guided help with reading the wide variety of writing styles and topics that appear as feature articles in the Bangkok Post. The lessons include background information, skill
building practice and vocabulary explanations.
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As with most successful movies or books, there is just a matter of time before someone comes along and more or less re-writes the original story. At times, the stories are too close to the original and accusations of plagiarism are raised. Other times, the writer manages to keep enough distance from the original, and can ride the success of the first one. The book review of today belongs to the latter category.
Novelist Steve Barry has obviously been influenced by Dan Brown's The Da Vinci Code, but he is far from the only one. A multitude of novels dealing with ancient secret societies, and mixing fact with fiction, have been published since The Da Vinci Code. However, in the world of literature, there is never a completely original idea. The concept of complete originality doesn't even exist - for natural reasons; all novels written are implicitly or explicitly influenced by earlier works. But, as with The Alexandria Link, this doesn't necessarily lessen the quality of the book. Why not read it and find out for yourself?
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plagiarism to use another person's idea or a part of their work and pretend that it is your own
latter
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multitude very many
concept
originality |
implicitly suggested but not stated directly
explicitly |
The Promised Land?Reviewed by BERNARD TRINK
The Alexandria Link
Steve Berry, another Yank, has penned a novel with a premise every bit as startling. According to The Alexandria Link, the Old Testament as we know it is not the Old Testament written in the long forgotten Old Hebrew. Centuries passed before the Old Testament was published in latter-day Hebrew, with extensive revisions. The major one was that the Holy Land God promised Abraham wasn't in Palestine, but in western Arabia. The author, through several important characters in The Alexandria Link, argues that apart from the latter Hebrew Old Testament, there is no historical proof that the significant events therein ever happened: not the parting of the Red Sea; not the David and Goliath encounter; not the greatness under Solomon, et al. Archaeological digs (forbidden in Saudi Arabia) unearthed not a trace of any of this. Berry quotes authors who assert that there are areas in western Arabia that approach descriptions in the Old Testament that Canaan doesn't. Doubtless this will be scoffed at by Talmudic scholars in Jerusalem. They in turn will demand historical proof. The issue is a vital one. If Israel isn't the Promised Land, why are the Zionists fighting so hard for it? Then again, if the Promised Land is near Mecca, won't the Arab world turn on the Saudis? Mixing fact and fiction, lawyer and well-traveled Berry raises the possibility that the Library of Alexandria, the storehouse of learning of the ancient world, razed by the Muslims, wasn't entirely destroyed. More than a few of its half-million manuscripts were rescued from the conflagration and moved to a place known only to Guardians. Among them could be at least one copy of the Old Testament in Old Hebrew, which might yet be translated. Apprehensive as to what it might say, the Israelis don't want the hiding place found. As their allies, neither do the Americans. Nor the Saudis. But the Islamist jihadists would pay any amount for it; and there are unscrupulous Westerners after it, with the intention of selling the location to the highest bidder. How the various sides go about it is the main plot of this story. The minor plot is of a conspiracy in high places to kill the Israeli-friendly US President, so that his successor will tilt toward the oil-rich Arabs. There are shootouts, kidnappings, bombs going off, so many that at times we're not sure who's doing what. My favourite line is: ''I'm not a murderer, just an assassin.'' Reading The Alexandria Link, this reviewer wonders who wrote the 10 Commandments.
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