Rediscovering ancient civilisations

An ancient painting at Wat Khao Chan Ngam in Nakhon Ratchasima.

Standing about 10m above ground level is the iconic rock named Hor Nang Usa in Phu Phrabat Historical Park in Udon Thani. It is believed to be used as a place for meditation during the Dvaravati period. The historical park houses stunning rock structures, naturally carved by the rain and wind for millions of years. The Fine Arts Department found 68 prehistoric archaeological sites, including 45 cave paintings and 23 scared places within the 3,430 rai plot. The park is now on a tentative list of Unesco World Heritage sites.

These ancient human figure paintings are found only in two places in Phu Phrabat Historical Park. One is at the Khon Cave, which displays seven humans figures painted in red and white. Another is located in a cave called Pheung Hin Wat Pho Ta, but is not as clear as those in the Khon Cave.

The temple boundary stones (sema) created during the 9th -12th century in the Dvaravati period have been left unattended inside Wat Phra Phutthabat Bua Ban, a forest temple, about 18km away from Phu Phrabat Historical Park. The stones were arranged in eight directions to encircle a sacred stone at the centre. However, the central stone no longer exists. In each direction, there are three stones in a row. Each stone is of a different height, and laid in decending order. At the base of the largest stone, there are different designs of carved work such as figures of apsaras, heavenly female spirits often found in Hindu mythology. According to Srisakra Vollibhotama, well-known archaeologist and anthropologist, the place is the only spot in Thailand to see how each sema was originally lined in Dvaravati temples. The Fine Arts Department had a roof made on top of each row of these boundary stones as protection, but the structure is in poor condition. Not far from the group of stones, there are more boundary stones left abandoned and scattered around a cliff.

The small golden stupa on top of the old sandstone blocks is called Phra That Phon Thong. Judging by abundant offerings encircled the base, the stupa is a sacred place for locals. People also honk while driving past the stupa as a mark of respect. Built during the Khmer Empire, the stupa housed relics of the Buddha and gold Buddha images, which were transferred to local temples in Udon Thani when the Highway 22 was constructed in 1909. The local municipality of Nong Bua set aside a 1.2 million baht budget to renovate the area and also build another structure to house a seated Buddha not far from the stupa. Phra That Phon Thong is not far from downtown Udon Thani and is along Highway 22 heading towards the Ban Chiang archaeological site.

TheBanChiangarcheological site isamust see for thosewhovisitUdonThani. Itcomprisestwoparts; the nationalmuseumand the excavation pit inWatPhoSi Nai,about 500maway. Ifyouvisited the place before February2010,arevisit isamust.Themuseum hasundergone amajor facelift, bringing iton par with international standards. Onentering themuseum,a step-by-step explanation describeshowarchaeologists workedwhenthey foundthe ancient items inBanChiang in 1972. Also exhibited ishowprehistoric people buried their dead.During the early period, or about5,600-3,000 years ago, abodywaslaid flatandface up, or in a foetal position,and hada piece of pottery buried with it. During themiddle period (3,000 years to 2,300 yearsago), thebodywaslaid flatcovered with pieces of brokenpots. In the last period —2,300-1,800 years ago—thebodywasstill laid flat, but only pots ingoodcondition wereputbeside thebody. ‘‘The jars putalong with thedeadwerenever usedin daily life,’’ said amuseumguide. If a child died,heor shewasput inside a jar before being buried. BodiesfoundinBanChianghadanaverage age of 31, the guide said.

The excavation pit at Wat Pho Si Nai was recently renovated, and the pottery found here is on display in the museum. What is on display in the pit are copies of the real thing. The pit has 52 graves found from the three periods, which are differentiated by soil layers. The deepest, which has only one grave to the west of the pit, was the tomb of a person who lived here 5,600-3,000 years ago. The second layer has tombs of those that lived in the middle period and the uppermost layer has tombs from 2,300-1,800 years ago.

The exhibition is a collection of artifacts found in each tomb, along with demonstration rooms displaying the lives of prehistoric people. The artifacts are on display in groups such as hunting tools made from bone or stone, cooking tools, and dressing accessories such as bronze bracelets and bells. Also displayed are human skeletons found in Bang Chiang excavation pits, as well as animal skulls and bones. According to the museum guide, pottery found in the graves was produced in different shapes and colours depending on the period. During the early period, clay pots were black or white and had simple deigns made with rope or simple tools to mark the surface. Pottery during the middle period had round bottoms, thicker edges and the bottom half of the pots were painted in red. The last period— 2,300-1,800 years ago—were the most beautiful, all the pots were painted in red and had various designs on them.

PrasatPhanomWaninNakhonRatchasima is a bit lowprofilewhencomparedtoPhimai Historical Park,however, it is older,according toPhimai Historical Park officer Dusit Tumpaporn. ‘‘Wefound traces ofanold road linking bothruins.Thedistance isabout40km,but the road doesnot exist anymore,’’hesaid. PrasatPhanomWanwasbuiltbytwo Khmerkings. First in907ADbyKingYasovarmanI. TheHindutempleconsisted of eight shrines, with themainchapel being15mtall, andhousedalingam andyoni. Butthese have since disappeared, Dusit added. From1050-1066AD,thetemplewasrebuilt byKingUdayadityavarman II with anew mainchapelandacolonnade (rabiang kot) surrounding the temple.Theyweremadeof pinksandstone,andconstruction tookmany years. It remains unfinished. King JayavarmanVI (1080-1107AD) continued to maintain the temple, but did not finish its construction.Heusedmostof his manpowerto build anewHindutemple, whichisnowPhimaiHistorical Park, said Dusit.During the construction of Phimai, the king usedPrasatPhanomWanfor ritual ceremoniesasdepictedinaKhmerinscription inside the temple. ‘‘In the inscription, the king called the templePrasatDhevaSom,or the shrine of the deity,’’ said Dusit. TheFine ArtsDepartmentstarted renovating the templelast year.Afewmissing stoneswere replaced with white sandstones, because the departmentbelieves that within a couple of years, all thenewstones will darken with ageandlook like the old ones.